"La garza". 1990
Serie Los pájaros
Gouache/papel couché
70 x 50 cms
"Garza es mi pena, esbelta y triste garza,
sola como un suspiro y un ay, sola,
terca en su error y en su desgracia terca"
Miguel Hernández
Mostrando entradas con la etiqueta Obra plastica. Mostrar todas las entradas
Mostrando entradas con la etiqueta Obra plastica. Mostrar todas las entradas
10.2.22
27.8.13
HOLA, MR MAGRITTE / HI, MR MAGRITTE
Trabajo en progreso/ Work in progress
Hola,Mr Magritte/Hi,Mr Magritte
2013
Oleo/tela
60 x 73
Boceto preparatorio/preparatory sketch
2013
Acuarela/cartón
3.5.13
RAYADA / STREAKY
TENEMOS UN CÓDIGO PERO NO SOMOS (SÓLO) UN NÚMERO/
WE CODE, BUT WE ARE NOT A NUMBER
De izda a dcha y de arriba a abajo:
Rayada, Rayada con cuadrado azul, Rayada con linea roja, Rayada con linea verde.
2001.
Grafito y tintas
40 x 30 cms
...........................................................
From left to right and top to bottom:
Striped, Striped with blue square with red line Striped, Striped with green line.
2001.
Graphite and ink
16 x 11,5 inch
9.8.12
[GUERRA]+[AURI]+[PETROLEO] / [WAR]+[AURI]+[OIL]
[Guerra] + [Auri] + [radioactividad] + [cambio petroleo].2012
Gouache,boligrafo / papel.
2 piezas de 30 x 40 cms
29.3.12
13.10.11
NEMESIS
Lo prometido es deuda, ya doy por terminada "Némesis, la venganza de la Tierra".
y este es el segundo boceto más cercano al proyecto final.
The engaged thing is debt , I give already for completed " Némesis, the revenge of the Earth ".
Nemesis, la venganza de la tierra. 2009-2011.
Acuarela y lápices/papel.
130 x 115cms.
130 x 115cms.
El proyecto es del 2007, por lo menos, aunque hace sólo en el 2010 le dí forma.
Este es el primer boceto....
This project is of 2007, at least, although it is only 2010 that I gave it form.
This is the first sketch....
y este es el segundo boceto más cercano al proyecto final.
24.11.10
VENUS-URANIA
"Venus-Urania".2008.
197 x 130cms.
Oleo y esmalte/lienzo
"Venus-Urania" surge como fusión de diversas inquietudes y es una consecuencia natural de mi anterior etapa creativa que culminó con la serie "La Nueva Nefer".
Estas inquietudes se pueden resumir en mi interés por el arte del graffitti, los grandes formatos y la estética muralista, y por la aproximación ideológica y continuidad del concepto que desarrollé con anterioridad sobre una nueva conciencia global,esa extraña fecha del 2012 como ultimatum a la humanidad y el importante papel de la mujer en el avanze de la humanidad que,o definitivamente cuenta con ella o no se realizará.
Este es el arquetipo de mujer que representa Venus Urania, una mujer creativa además de creadora (de vida), emotiva e intuitiva pero de pensamiento clarividente, casi visionario.
El papel cada vez más relevante de la mujer como catalizadora del cambio, el dinamismo y resolutividad de lo femenino, ligado siempre a la creatividad,
son elementos necesarios para entender los apasionantes y "auténticos" cambios en las sociedades.
¿De qué sirven las extraordinarias civilizaciones modernas o antiguas si en ellas no hay cabida para la voz de las mujeres?¿De qué sirve compadecer
a ciertas sociedades actuales que viven en el subdesarrollo, cuando esto es en parte, consecuencia natural de la mordaza que se ha impuesto a lo
femenino, a la mujer como elemento físico y simbólico de cambio.?
Tal vez la clave de nuestra supervivencia como especie sea la comprensión de estos y muchos conceptos que se arremolinan en torno a lo femenino, en torno a la Tierra.
En definitiva, en torno al respeto de la Vida."
..................................................................
" Venus-Urania " arises as merger of diverse worries and it's a natural consequence of my previous creative stage that culminated with series " The New Nefer ".
These worries can be summed up in my interest in art of graffitti, the big formats and the aesthetics big murals, and for the ideological approach and continuity of the concept that I developed in advance on a new global conscience, this outsider dates of 2012 as ultimatum to the humanity and the important role of the woman in the avanze of the humanity that, or definitively it is provided with her or it will not be realized.
This is the woman's archetype that there represents Venus Urania, a creative woman in addition to creator (of life), emotive and intuitive but of thought clairvoyant, almost visionary.
The more and more excellent role of the woman as catalyst of the change, the dynamism and efficacy of the feminine thing, tied to the creativity, they are always necessary elements to understand the exciting and "authentic" changes in the societies.
As what do the extraordinary modern or ancient civilizations serve if in them it has not fitted for the voice of the women? As what does it serve to feel sorry for certain current societies who live in the underdevelopment, when this is partly, natural consequence of the gag that has been imposed to the feminine thing, for the woman like a physical and symbolic element of change.?
Perhaps the key of our survival as species is the comprehension of these and many concepts that swirl concerning the feminine thing, concerning the Earth.
Finally, concerning the respect of the Life. "
..................................................................
" Venus-Urania " arises as merger of diverse worries and it's a natural consequence of my previous creative stage that culminated with series " The New Nefer ".
These worries can be summed up in my interest in art of graffitti, the big formats and the aesthetics big murals, and for the ideological approach and continuity of the concept that I developed in advance on a new global conscience, this outsider dates of 2012 as ultimatum to the humanity and the important role of the woman in the avanze of the humanity that, or definitively it is provided with her or it will not be realized.
This is the woman's archetype that there represents Venus Urania, a creative woman in addition to creator (of life), emotive and intuitive but of thought clairvoyant, almost visionary.
The more and more excellent role of the woman as catalyst of the change, the dynamism and efficacy of the feminine thing, tied to the creativity, they are always necessary elements to understand the exciting and "authentic" changes in the societies.
As what do the extraordinary modern or ancient civilizations serve if in them it has not fitted for the voice of the women? As what does it serve to feel sorry for certain current societies who live in the underdevelopment, when this is partly, natural consequence of the gag that has been imposed to the feminine thing, for the woman like a physical and symbolic element of change.?
Perhaps the key of our survival as species is the comprehension of these and many concepts that swirl concerning the feminine thing, concerning the Earth.
Finally, concerning the respect of the Life. "
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